International pants (make that under-pants)

Helsinki is once again smothered in darkness. It is November, after all, a month whose Finnish name carries traces of the word “death” (a hunch corroborated by wiktionary).

Silly schemes for extracting financial value out of filling in the city’s breathing spaces with mediocre junk, continue to grace headlines. Shopping centres in the burbs, shopping centres in “town”, road schemes, helicopter pads (sufficiently far from residential areas, you’ll be pleased to hear), luxury developments on the waterside, cheaper developments on the waterside, hotels and sports stadia, crimes against local forests (once again it’s time to write to your councillor about Meri-Rastila) etc. etc.

Justice, activists in Helsinki are saying, is eluding them. (But will they really rise up and protest, that is the question.)

Could this be because so many Helsinki planners and developers appear to be in thrall to New York City? (Or just money? Ed.) Many certainly appear to think Helsinki’s role model should be New York City. You know, not Madison Square Garden but er… that Helsinki Garden.

A great city, New York, despite the way its soul – in the shape of the spaces that make real life possible – is being shredded by the life-shy super-rich (Michael Sorkin’s account is to be recommended). Although super-storm Sandy may have changed the world, we hope New York’s confidence and can-do mentality will not be permanently affected by it.

But one thing is certain. The idea of Helsinki copying New York urban planning solutions, whether old or young, is, well, it’s pants.

As pants as this building spotted in a Daily M**l story about China. Which really is pants!

Day days

“Dayday is a day when anyone can create a day for a day”.

It was only a matter of time before some joker posted this one on facebook. Not least because last weekend’s effort at another “day” in Helsinki, certainly in Töölö, felt a bit contrived. Cleaning day is nice but it’s nice too to walk in the park, take the boat out, head out to the mökki.

Seems some Helsinkians are exhausted after a summer of running from one pop-up event to another. Perhaps they’re even wondering why they’ve turned into producers as well as consumers, prosumers, of urban culture.

We now create our own “content”, we even take part in  planning [can we check this? Ed], and we are told to set up our own businesses rather than relax lazily into lifetime jobs.

Yet it’s a stretch just to get the kids to school and find time to talk to the spouse – though Finns do work shorter hours than most. Still, we can forget the lazy Sunday afternoon – those over-equipped little leagues filled that slot long ago.

So it might be time that that the experts who get paid for their trouble took a bit more seriously their role in “content creation”.

Sure, we like public participation though it has its troubles. But we still/also have some seriously crap planning. Regular readers, and anyone with an interest in Helsinki’s construction projects, know this.

The latest bit of annoying planning in Helsinki concerns the railway warehouse in Vallila/Pasila. Though it’s nice that the interesting building is to remain intact externally.

And it’s nice that the Teollisuuskatu area – which is in danger of becoming a strip-mall-type insertion into the otherwise liveable (but only after popular struggle!) urban surroundings of wooden Vallila and properly dense Kallio – will become a place of work as well as of sleep.

It seems the “choice raisin in the bun” is to be carved out of the wider former railway lands and given (almost) away by VR in unceremonious haste, when a better negotiated and more encompassing planning deal or masterplan would surely be worth it and possible.

OK, many of us are upset because this means that the one genuinely multicultural venue near central Helsinki, Valtteri’s flea-market, will have to go. Why couldn’t the entire area be developed into a mix of homes, workplaces and a fleamarket that attracts a solid crowd three days a week?

It’s not too late to comment on the plans. (Visit the usual site and scroll down to Aleksis Kiven katu). But it would have been good to get in there earlier. Maybe we’ve just been too busy doing day-days to notice what’s being done in our name.

Pierre Huyghe. Streamside Day – One Year Celebration. Contemporary Art Collection ”la Caixa” Foundation. CaixaForum Barcelona

Going high

It’s been a wonderful summer and August is shaping up to be just as happy and as busy as it always is.

You know, in Helsinki the weather matters, the length of the days matter. Life is lived in pulses and rather precise rhythms. For instance the whole country has been on holiday for all of July. Not for Finland the “constant er*ction” that early 21st-century global business expects of its workers, (that naughty phrase is borrowed – from memory – from the shockingly lazy Corinne Maier).

Maybe.

Like so many other Helsinkians in August, JHJ has taken overseas visitors to the top of Torni. As seen from here, a phone mast, an old fire station punctuate the pleasant rhythm of Helsinki’s unique late-summer cityscape.

In Helsinki’s August this year the world design capital machinery is ratcheting up its programme a notch. Many of us are waiting for (or preparing for) the Helsinki Festival. And many, many lovely, quirky, late-summer-happy Helsinkians who like doing things in town (read all about it here) are taking advantage of the still-gorgeous weather to DIWO (do it with others).

JHJ is loving it and the visitors are suitably, slightly, pleasantly awed as they point their cameras to horizons still visible over Helsinki’s rooftops.

But while the thousands of Helsinkians just mentioned are busy “unlocking” shared energies, there are those who are quietly planning to lock up much more. I refer to the craze in the Planning Department for tall buildings. (JHJ wrote an earlier rant here, Lewism wrote sensibly about this last year.)

The grapevine tells JHJ that many, many built environment professionals are aghast at what’s in the pipeline. Similarly, the grapevine tells JHJ that younger built environment professionals in a relatively small job market are afraid to pronounce in public that they too are dubious about the radical – really radical – proposed increase in the height of Helsinki buildings.

In a city where the sun is such a precious thing that an entire month (and countless evenings of terassis before and after) must be devoted to it, what a topsy-turvy idea from the Planning Department to block it out.

Leppynyt*

With summer finally arriving it really is hard not to feel a strong sense of place on the peninsula that is central Helsinki. It’s not that any of us are rooted here (some weeds and a substantial amount of municipal gardening aside). But many of us have been lucky enough to grow in the everyday life that is Helsinki. Or, better still, Helsinkies.

For consistently great photos I still recommend you to Learning to See in Helsinki.

But since I took a few of my own yesterday, I’d like to share.

I’ll start with the Design Pavilion, which offered up a more edifying and enlightening talk than I’d come across previously. And each time I go, there’s a bit more tat on sale, but also a bit more of a completed air about the place.

Helsinki Poetry Connection served up some lovely rhymes, including a good few good ones in English from Kasper Salonen (below).

Then on for some reasonable food (unglam Senttu in posh but not in-your-face-posh Pietarinkatu) and some pertinent street art.

And later, when it was getting dark enough for my poor G7 to struggle a little even in Finland’s nightless night, some classic cars cruising the city. Some with wings, others with bales of hay and even one adorned with a sled.

Yess, Helsinki, yes!

* loose translation of leppynyt: feeling forgiving

Meaningful Design in Helsinki

It’s July. Juhannus a.k.a. midsummer is behind us. This is a complicated time of year. Air and water temperatures will (hopefully) rise a bit over the next few weeks. Meanwhile the days are already getting shorter.

This also means that over one half of the marketing ploy that is Helsinki’s Design Fest 2012 is over. Yet, like the middle of summer, the middle of the WDC-2012-year may be the mathematical middle of this year of design-hype but it’s not the middle in any meaningful way. The season is only just beginning!

We expect hard evidence of Finnish design excellence soon, and not just in a canyon left over by a redundant railway line turned over to cycling.

More in evidence and in the advertising has been the “heart” of Helsinki’s design festival. This is the temporary pavilion behind the Design Museum. A daily programme of events (speakers) there has been trying to enthuse people to learn about design since early May, with varying success.

Apart from the fact that it’s been incredibly cold in the space, perhaps the Helsinki public or the tourists who stray that way simply aren’t interested in being preached at. And it’s worth noting that the Finnish version of the website is a tad more heavy-handed than the English-language page about the great things design can do to make the world a better place. Perhaps the copywriters intuit that Panglossian rhetoric doesn’t sound so good translated from the Finnish into other languages.

But don’t get me wrong. We here at JHJ have admiration for beautiful design. We almost even agree with the myth that says Finnish design has grown organically out of the harsh but beautiful Finnish landscape. (And we recommend the recently published Finnish-language history of Finnish Design edited by Paula Hohti so you get the nuance too).

(We also recommend the design show at Taidehalli which, time permitting, JHJ will cover in a subsequent post, but if not, read the Helsinki Times’ inimitable prose [surely not, Ed.?] on the subject here).

But we do find the Helsinki take on design, er, just a little worthy.

There’s too much of the self-congratulatory about it all. For instance, that design is built into Finns’ lives from birth, when they receive a perfectly designed and perfectly functional maternity package to set them up with the best start in life, materially, technologically, culturally… (this is on show at the Virka gallery). And there’s far too much of design solving this, that and the other global problem.

And as if JHJ needs more grounds for scepticism about design’s (or Finland’s) capacity to fix real problems like, say, the Eurozone crisis, the Baltic or social alienation, today’s Omakaupunki publication tells us that the city can’t even get a simple traffic counter to work properly!

For months the city has been making noises about supporting cycling. To encourage us two-wheelers they have been counting our use of three popular routes.

I never was so clear on why being the two hundred and ninety-seventh cyclist to pass Helsinki Railway Station was supposed to feel encouraging, but it never bothered me either. But it turns out that the machine was so badly designed that it has left a third of us uncounted.

Apparently the counter at the Baana cycle corridor, which goes from Ruoholahti and Helsinki’s future high-rise hotel (see previous post) to the field of asphalt between Kiasma, the Sanoma  and the Music Buildings, does work. And apparently the route has been popular. (Just watch out as you spill out at the eastern end – I foresee accidents to come here.)

Still, design or not, we hope the Baana will get lots of use in the next few weeks before it gets too dark for most cyclists to venture down there.

The usual formula for Helsinki’s South Harbour

We are decamped to where birdsong dominates. Here the Baltic Sea still looks lovely even as the battle against using it as a dump falters.

Meanwhile, like every Midsummer, Helsinki has apparently been given over to the tourists and the seagulls.

Looking at the results of the City Planning Department’s South Harbour Ideas Competition, it’s clear that the summer and the tourist (not least the Baltic Sea cruise passengers) are very much to the fore in the city managers’ thoughts.

For me the images highlight the gulf between my dreams and the dreams (?) of those who manage the city. Once again they have followed the usual and deadening formula: rhetoric of vitality + Computer Aided Design = winning entry.

I love the South Harbour, iconic view and image, and still as real as the pain in my toe. What, I wonder, do the tourists make of the market square and its surroundings?

If they are arriving cruise passengers, what do they perceive? An interesting city scape? Or other cruise ships six times the size of the largest edifices anchored on dry land?

JHJ had the pleasure of arriving by ship just last week. Beautiful. Interesting. People doing stuff.

The Harbour, at least from a distance, looked like a hive of real activity.

It made me think of a recent essay by that unbelievably prolific anthropologist David Graeber, called ‘Of flying cars and the declining rate of profit’. What, the essay ponders, are we all so busy with?

In Helsinki it wasn’t so long ago that office workers, university people and perhaps some local housewives (and at least one -husband I know of) frequented the market, the market-hall and the area around, for shopping, meeting, taking boats to islands and passing through on their way to somewhere else. And a good few people used to work here.

Some still do.

Not that there is that much work for dockworkers. Plenty of work for cleaners though. A startling proportion of those we saw appear to be darker skinned than most Finns.

Back to Graeber. I understood him to be saying that capitalism + computing has managed to reduce us all to administrators of our own and others’ lives. Creative doing is as hard as creativity-talk is necessary. All creatives do is try to sell.

The Planning Department and the City are selling Helsinki. As JHJ noted in an earlier post, this involves lots of image-making. And endless power-points accompanied by linguistic novelties like the “future dogmatic” or “future positive”, supposed to make us gaze misty-eyed into the lovely future and forget about the mess we continue to produce (my thoughts returning once more to the poor old Baltic).

The South Harbour Jury Report (available on this page), though not quite completely information-free, is pretty much in this vein of vacuous rhetoric. (But was the only thing they were looking for a way to get a decent cycling facility to get through the bottleneck of the market?)

P.S. Only one of the 4 winning entries, Meren Syleily, mentions work that’s not related to entertainment. Shame the prose is so complicated.

Keeping working
Just as importantly none of the proposals run counter to the essential requirements of the shipping terminals, ensuring that the activities of the port can continue unaffected, unconstrained by the imposition either of new obligations or overlapping functions.

Nature itself supports the Helsinki City Planning Department’s Visions

Today, 28.5.2012, is the last day for the public to submit comments regarding the planning proposal for a 33-storey hotel just to the west of the city centre, in Jätkäsaari. Late submissions have been known to have been accepted.

Read and acted upon?

That’s different.

According to a glossy corporate website, the Kämp Tower luxury hotel will open in November 2014.

This statement does fly in the face of the plan currently in force (allowing 16 storeys, itself pretty startling and, for architects, challenging, in the current Helsinki context). Such a prospect is also clearly devastating to many Helsinkians. Others are blissfully unaware of the plan, of course.

Future neighbours and some urban aficianados do know. After a public relations hearing in January, followed by a period of soliciting the public’s views (you know, citizen participation) the Planning Department published a robust rebuttal of the critical views. Called a review of the public consultation, you will find this if you swim around the Department’s haphazardly updated website often enough.

Alternatively, if you’re lucky, you may find it via this link to the minutes of the planning committee’s meeting held 13.3.2012. Liite (enclosure) 9 is a report outlining some of the objections to changing the currently valid development plan so that it could accommodate the 33-storey conference-centre-hotel that our Norwegian investor-friend (yes, he of the Herzog and de Meuron debacle in Katajanokka) wants.

Basically, most of the public sees the plans as inappropriate, bad and threatening Helsinki’s most cherished assets.

The Department pooh-poohs such retrograde opinions. The 33-storey hotel is appropriate to the site. It is a good thing for Helsinki and the surrounding areas. It does not in any way threaten the development of the city.

Not incidentally, the implication is that if one is against these very 33 storeys, one is against progress.

JHJ is not impressed with the way “public participation” is interpreted at the City Planning Department. Why would anyone bother to send any more comments, given that the obvious and pretty substantial comments made so far have been dismissed already?

No wonder so many people in Helsinki comment on the power of the City Planning Department. It is said that it employs well over a hundred people, maybe over 200, and operates behind closed doors. On their contacts page though it looks like it’s barely 50 folks.

Someone somewhere though is churning out one heck of a lot of strong rhetoric, verbal and visual, which appears to be paving the way to a strong change in the cityscape and atmosphere of our lovely pocket-sized capital.

A wooden monument to optimism

This post is effectively a huge thanks to Dan Hill and everyone else at Helsinki Design Lab/Sitra where they are promoting low-carbon urban planning. The freshly pressed visualizations on their blog, of the bizarreness otherwise known as parking norms in Helsinki, should make it harder than before for the peddlers of business-as-usual to argue their case. For, as JHJ has noted before, it should not be an easy case to make. (But then in Helsinki cases aren’t so much made or argued, it’s more a case of taking and sticking to positions. Read on.)

Yesterday’s post on the HDL blog compares new-build in London (the massive Shard skyscraper at London Bridge) and in Helsinki (the massive New Helsinki boom that is transforming what used to be Helsinki’s West Harbour). Note, the Helsinki project is being peddled as exquisitely green. Dan then on the HDL-blog (here’s that link again):

A typical block [in Jätkäsaari, Helsinki] will be designed to have around 7 floors and have to make space for approximately 120 parking spaces. Both cities are well-served by public transport (in fact, Helsinki has previously been voted as having the best public transport in Europe) and Helsinki being a compact city, you could walk to most bits of central Helsinki from Jätkäsaari.

But the visuals, only one of which I’m copying here because it’s worth reading the whole post (there was the link again) are really provocative:

http://www.helsinkidesignlab.org/blog/week-165

On the back of this, let us pontificate: for Helsinki to stay as lovely as it is, let alone become even lovelier, its management must get rid this tendency to clog things up either with cars or sclerotic ideas. HDL’s visual will help.

What it will also require, though, is something that is in shockingly short supply here, namely self critique. In fact any kind of critique (not to be confused with dissing or haukkua in Finnish) would be a bonus.

Instead of debate and self-critique, we have something that makes me think of the allegro of Beethoven’s Pastoral symphony, oddly enough: Lustiges Zusammensein der Landleute (Happy gathering of country folk).

As lovely as Helsinki is, endless self-congratulation is tiresome. The UK’s The Independent newspaper is the latest to pour heaps of dubiously argued (argued?!) praise on the whole country. Sure, it was once a fabulous place, and still is. But it sure is at risk of being messed up by amateurish and selfish decision-making, as any regular readers of our rants must know. Helsinki’s media (social and journalist-produced) is in danger of turning into a wooden monument to (misplaced) optimism. (The phrase borrowed with a twist from that excellent blog post. Did I already give the link?)

Helsinki optimism is really getting to us actually. Perhaps a short trip to smelly London is called for. It’s not as nice as Helsinki, but one knows that it will give one an injection of critical thinking. For instance the politically engaged Planners Network UK who know that now is not the time to foist solutions on others as much as to ask questions (Disorientation-guide pdf). Healthy disorientation in a time of obvious crisis (obvious outside Finland) can also be achieved through urban gardening in London. Looking forward.

Recycled and borrowed

Saturday, chilly as it was, proved once again that Helsinkians have become avid urban event-goers. Street parties and occupy rallies jostled in relative comfort with the city’s own recycling vans. They were dotted around the city making it easy for us lazy folks to send our e-waste and other dust-gathering junk on its way somewhere else. It was Cleaning Day.

Meanwhile JHJ is a little tired of all the bad news relating to the city’s built environment. The work of previous generations, congealed into the Helsinki we love and inhabit, still delights and inspires.

But the pipeline with its 21st-century architecture is something else entirely. Perhaps Maria Kaika is right, the best adjective to describe today’s architecture is autistic. (Though I don’t know what autistic folks would say about that).

Fortunately, however, there are others in our fair city who aren’t just trying to do their bit to ensure as good a future as possible. They are even writing about it, and sometimes in English. There is, for example, some info on Meri Rastila, another area that Helsinki’s decision makers could plan with wisdom and foresight. Alas, as Tristan Hughes of the OurCity alternative masterplan team notes, once again

the city is missing a prime opportunity to design a part of the city according to the unique needs of and in direct cooperation with the residents who live there. I also feel that once again the city is destroying one of the key elements within its borders that makes Helsinki unique, its natural green/forested areas, and instead have decided to take the easy path, of corporate profit and simple construction strategies, based on outdated ideals.

Ah yes, as with the Pasila highway or, say, with the way it’s plopping thousands of units of effectively speculative development along Helsinki’s waterfront, our city is actually recycling crappy planning ideas that less peripheral places have long been trying to fix.

Enjoy the sunshine – it’s still beautiful out there.

Worst Planning Since the 1960s

A slow Saturday has left us with a few moments to spare. This is unusual here at what was once JHJ’s bustling editorial office, but has since been turned over to better remunerated pursuits. But since the Helsinki pipeline seems to have become so full of sewage, though it’s upsetting, we thought we’d use these precious minutes to blog about it.

Pasila. Back in the 1960s this was a hilly, leafy and mainly working-class residential neighbourhood, as the YLE film maker says, “in the heart” of Helsinki. Land in “the heart” of a capital being economically interesting, the whole was creatively destroyed in the early 1970s. The extent of the demolition and the totality of the transformation of “Wood Pasila” into the “West Pasila” that we now now, has taken some getting used to.

As painful as it was, some have become used to the big boxes that we now have, both for going to work and living in. It’s a shame about the anti-human and anti-local traffic “solution” of Hakamäentie, which cuts West Pasila off from any possible links to the north, but the Keskuspuisto (Central park…) to its west is well loved and used.

Across the railway to the east there is Itä Pasila. Unkind voices have dubbed this the Croydon of Helsinki, perhaps because it does look a bit like the bastard offspring of Corbusian planning and 1980s bathroom design (turned inside out, as was the trend). Then again, over the years, the boxes that line its big roads have attracted and built up more interesting life (and activists with designerly habits).

If you look on the googmap of the area you can see that the space left by the gradually abandoned railway is a fabulous opportunity for healing. And there are residents and creative types already in the old low-rise buildings of the railway era, making a better future from the ground up through urban gardening and stuff. For these and zillions of other reasons, Pasila could become the project to stop Helsinki from wasting its effort and shoreline by building into the Baltic.

So what does the Planning Department propose? Driving a highway through it. Oh, and plonking those ten (ugly) high-rises we already knew about, around it whose chances of nurturing vibrancy are zero. No wonder, as rumour has it, the plans currently under consultation were recently described by an overseas visitor as the worst planning he’d come across since the 1960s.